To Mend Is To Shatter, 2022- 2023
A solo show by Yasmine El Meleegy
16 FEBRUARY - 31 MARCH 2023
Gypsum is pleased to present “To Mend Is to Shatter”, the gallery’s first solo show by Yasmine El Meleegy presenting her newest body of mosaic-like works, which engage with the legacy of late Egyptian sculptor Fathy Mahmoud.
Like El Meleegy – whose practice has been concerned with the repair of personal domestic objects and restoration on a larger scale – Fathy Mahmoud situates his practice at the interstice between private, and public domains. He was commissioned to produce monumental public sculptures and murals in Cairo and Alexandria, while also establishing a porcelain factory whose dinnerware sets have become ubiquitous in Egyptian homes. These objects were the vehicle through which Mahmoud sought to make art accessible to the masses, an ideal he espoused in keeping with the zeitgeist of the post-monarchist Egyptian state.
Using shattered remains from Mahmoud’s porcelain range, El Meleegy constructs artworks that reprise gestures and motifs from his works, piecing images and stories from her memory into Mahmoud’s depictions of the social and political upheavals of the time. Foregoing the distinction between the dinnerware’s functionality and its value as an art object, El Meleegy’s reliefs blur the line between grand national narratives, and the minutiae of our lived experience.
El Meleegy’s process is connected to violence and its traces. It manifests in the act of her shattering of Mahmoud’s porcelain, only to piece the shards back together again. It finds its echoes in the narratives behind some of Mahmoud’s most celebrated works, which commemorate the country’s nationalist struggle for independence. El Meleegy subsumes this brutal historic moment within her work, presenting destruction as an act of repair.
El Meleegy’s wider practice stems from a personal impulse to fix and mend, an act which both staves off, and confirms the certainty of loss. Approaching defunct, damaged household items with painstaking care, she seeks to restore an object's emotional and historic resonance by repairing its physicality. Through Mahmoud’s oeuvre, the artist explores a moment of rupture that reconfigured systems of governance and class dynamics in Egypt.
The exhibition is accompanied by the artist’s book “A Cup of Tea With Fathy Mahmoud,” in which El Meleegy addresses 13 letters to the late sculptor, which act as record of her research into Mahmoud’s life and practice.
The project was realized through a production grant by AFAC.